Zvyagintsev’s “Minotaur” is typical “good Russian” cinema, excusing those who agreed to keep toiling on the hellish plantation of the “Russian world” ...

Zvyagintsev’s “Minotaur” is typical “good Russian” cinema, excusing those who agreed to keep toiling on the hellish plantation of the “Russian world.”

This film testifies that there is no way out of Putin’s ass for the Russian people. The sphincter of the deranged chekist has clamped shut for good, and a global catastrophe is required.

But this is cinema. It received the festival’s Grand Prix.

But the team of Russian cuntlets performed less successfully in Cannes than Zvyagintsev did.The broads who dragged themselves there from the Russian Federation and offered themselves to “stars” lost out even to Puerto Ricans.

Despite the fact that all the Russian women paid insane money for “access,” they were not in any special demand.

None of them managed to get Travolta’s or Pitt’s hand into their panties, despite all their efforts and the showing-off of their outfits.

Nevzorov

@nevzorovtv